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![]() The LOMO(leningr.dskoje
optiko mechanitsch.skoje objedini.nie) LC-A is a
little Russian compact camera. It's got a wonderfully vivid lens,
simple construction, great feel, and primitive shutter design that will
stay open for up to 2 minutes in low light. The creative possibilities
are endless. The LOMO LC-A is the first camera I reach for. I tried to remember the first time I'd heard of LOMO, and I can't remember exactly where I'd heard of them first. What's the big deal? The LOMO was shamelessly copied from a Japanese Cosina CX-2 by the Soviets in the '80s. There's no autofocus, motor film advance, flash, or automatic film speed setting. The exposure system is a primitive arrangement with a light sensor and capacitor that looks like something out of a 50-in-1 electronics kit. The wide-angle lens vignettes horribly at times, and getting the focus right is total guesswork. However, the zone focus system is fast
in
decent light or when shooting at infinity - no auto-focus means no lag.
The lack of a motor advance makes it wonderful for discrete candid
photography - there's no motor noise to startle your unknowing subject.
The 32mm f/2.8 coated lens is faster than any point-and-shoot
zoom lens and returns vivid colors. The exposure system will
keep the shutter open up to 2 minutes, which allows vivid, surreal
photos in any light, even starlight. The vignetting, vivid colors, and
sometimes blurry focus is elemental to a photo
phenomenon known as Lomography. The photos are hit-and-miss, but when they hit, they are wonderfully vivid captures of my life. The camera feels right in my hand, and I can street shoot with it better than any other camera I've tried. The combination of zone focus, quiet shutter, and the feel of the camera seems made for street shooting. The concept of lomography is what appeals to
me. To me,
photography is about capturing the elements of my life as they occur.
My life isn't made up of composed still-life art and placid landscapes,
it's about city scenes, the interaction of people around me,
the guy at the drive-up window, or a piece of newspaper on the sidewalk. |
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