Don't be frightened of cliches.

On Lomography

I’ve known Sarah Zucker for some time through her photography online. her essay, On Lomography echoes many of the sentiments regarding “Lomography” that I’ve been feeling.

Other “Lomographers” inspired me to begin capturing intimate and mundane moments in my life on film. I shared my photos on and, two online bulletin boards, and shared visions with other lomographers. We started an occasional tradition of “LOMOCrawls”, photo get-togethers open to anyone with a creative eye and any sort of camera.


LOMO’s New Mystery Camera

@lomography has been all (ahem…) atwitter about a mystery camera announcement this week. The folks at Tongue in Chic seem to have blown the lid off of the announcement of the Diana Mini, a half-frame/full-frame 35mm version of the cult classic Diana plastic camera.


Lomographic Society at Photokina 2008

“The Lomography ‘Future is Analogue’ LomoWall exhibition is revealed at Photokina 2008!”

It’s the 5th time Lomography has been invited to participate in the world’s largest photo-imaging event, so we are going all out in celebration of the unique creative use of film coming from one million+ Lomographers worldwide! The LomoWall forms the focal-piece of our “Future is Analogue” exploration and bursts with over 100,000 amazing film images.

The fantastic LomoWall takes centre-stage in the immtense Lomography Lounge – which will play host to a huge array of analogue talks, events and parties over the next 5 days!


BBF, a TLR 35mm camera?

(updated, more picture-y goodness at the bottom!)

A little birdie told me about the BBF (Blackbird, Fly), a camera that the LOMO Society was planning to sell. I hadn’t heard of it before and decided to do a little research.

A little googling uncovered this post with some information. It sounds fun – a 35mm TLR with basic manual controls that shoots a square image? I wonder who would be able to develop them as square? I suppose anyone who processed 6×6 prints should be able to figure it out.

My first experience with a TLRs was with old 120, 620 and 127 cameras I had originally collected as interesting wall art. When I dusted them off and loaded them with film, I found the combination of a coupled viewing and taking lens, the distinctive upright shape of a TLR, and the old-school feel of a waist finder to be a unique experience in photography. With a TLR, I was more in touch with the shot, spent more time composing, more time taking my shots and ultimately took better photos.

The manufacturer’s official page is at

Check it out!