Here is another random shot I wouldn’t have caught if I hadn’t had a camera phone with me.
Here’s a wonderful bit of advice for aspiring photographers from Cheryl Jacobs Nicolai at PhotoDino.
What Every Aspiring Photographer Should Know
These are my thoughts, nothing more and nothing less.
I get asked all the time, during workshops, in e-mails, in private messages, what words of wisdom I would give to a new and aspiring photographer. Here’s my answer.
- Style is a voice, not a prop or an action. If you can buy it, borrow it, download it, or steal it, it is not a style. Don’t look outward for your style; look inward.
Miroslav Tichy is a reclusive artist who has resided in his hometown of Kyjov, Czech Republic, for most of his life. Born in 1926, he was a painter until the late 1960s, when he started taking photos, mostly of local women sunbathing, using equipment that he built himself. The cameras are made of cardboard, bottle caps, and rubber bands. Tichy mounts his photos in his own handmade frames and enhances them with pencil markings wherever he sees fit.
I’m a big fan of the Sunny 16 Rule for determining exposure. Print film is forgiving enough that you don’t always have to get the exposure *exactly* right to get a good shot.
The”Sunny 16″ rule, paraphrased, says, “Set the shutter speed to the reciprocal of the film speed, and set the aperture to f/4 for open shade, f/5.6 for overcast, f/8 for hazy sunlight, f/11 for sunlight and f/16 for snow, water, or bright surfaces in sunlight.
Here’s a great link to a do-it-yourself paper slider exposure meter. Use one of these and you won’t need a meter for 90% of your outdoor shots on print film.
Shooting an old retro camera without a meter and guesstimating exposure is a liberating experience. I recommend it.
I bought 10 rolls of expired Fuji Superia Reala 100 from the Lomographic Society. It’s been a while since I shot with Reala, but I can’t see any significant degradation in color. Maybe it’s not that expired, after all?
Another shot of Zeno Place, an alley in San Francisco fighting against modernization and gentrification.
I’m continually amazed by the results I get with a good professional film,Â an old-school mechanical SLR like my Canon FTb and a 50mm prime lens. This was shot pretty close to wide-open, probably F/2.8 at the most…