
Seven Eighty


…Gathered on recent walks through the Tenderknob, SOMA and parts elsewhere, San Francisco.



I’m always amazed at the LOMO LC-A’s ability to capture vivid colors in low light. Every other camera I’ve tried has given me washed out colors when I extend the shutter speed out in low light.
With my LOMO, I load up the slowest film I can find (Lucky 100 when I can find it, Fuji SuperHQ 100 when I can’t) and shoot away.


Random LOMOs from my most recent roll of expired Lucky 100 film. Taken around South of Market, San Francisco. My 1991 LOMO is still going strong, after what I figure to be 100 rolls of film shot through it…



The Lomographic Society made me their OSCM expert last week! I’ve got 35 piggy points to spend in the Lomographic Shop! What should I do, buy some film or spend a little more and splurge on something bigger? I have a 1990 LOMO LC-A and a Colorsplash flash, and my $1 TIME camera beats a Holga 135 any day of the week.
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